Ambreen Butt | I Bear Witness
Gallery Wendi Norris
436 Jackson Street, San Francisco
Gallery Wendi Norris is ppresent I Bear Witness, its third solo exhibition with Ambreen Butt (b. 1969, Lahore, Pakistan). The exhibition features a series of eight new works that mark the culmination of a trilogy she began in 2015, through which Butt has rendered visible the lives, names, and stories that violence attempts to erase. This final chapter builds upon her series Say My Name (2015–2023), which memorialized women and children lost to drone warfare, and Lay Bare My Arms (2023), which interrogated American gun culture.
In I Bear Witness, Butt’s visual language reaches a new level of material and conceptual intensity, expanding her ongoing exploration of vulnerability, violence, and remembrance by foregrounding maternal witnessing, land and displacement, and resilience in the face of trauma.
Throughout the series, Butt casts the maternal figure as both subject and witness, an active vessel of testimony rather than a passive symbol of loss. Drawing on religious and cultural traditions that cast the maternal body as a bearer of memory—particularly the icon of the Madonna and Child—Butt positions witnessing as an act of holding and carrying forward fragments of grief, displacement, and care. In works such as Awladi (My Children) (2026) and Awladna (Our Children) (2026), maternal figures confront the viewer directly, their bodies delineated through repetition, framing, and the collaged text of a poem. In Silence! (2026), the figure, deftly rendered in urgent red threadwork, cries out, her call reverberating across the surface as a sweeping field of florals disperses outward.
Across the series, body and ground become inseparable, each absorbing and carrying the traces of what has been endured. The land—the ultimate manifestation of the maternal—functions in this series not only as material but as collaborator and witness. Butt cultivates walking irises from her own garden, which reappear throughout the series as meditations on ephemerality and resilience. The keffiyeh, integrated into each composition, serves both as a physical material and as a potent signifier: historically worn as protection, it becomes in these works a woven emblem of resistance and the endurance of memory.
“To witness without the power to intervene is an act of endurance; this in itself is a form of resistance,” says Butt.
On Thursday, March 26 at 6 pm, Gallery Wendi Norris will celebrate the opening of I Bear Witness with a conversation between Ambreen Butt; Dr. Padma Dorje Maitland, Malavalli Family Foundation Associate Curator of the Art of the Indian Subcontinent at the Asian Art Museum; and Dr. Aleesa Pitchamarn Alexander, Robert M. and Ruth L. Halperin Associate Curator of Modern and Contemporary Art at the Cantor Arts Center, and Co-Director of the Asian American Art Initiative.
About AMBREEN BUTT
Using techniques rooted firmly in tradition, Ambreen Butt (b. 1969, Lahore, Pakistan) creates works that explore the complexities of contemporary global politics, female identity and living as a Muslim in the United States. Employing actions including staining, cutting, ripping and tacking with repetitive urgency, Butt's painted and collaged works on paper and large-scale resin installations espouse the radiant aesthetics of sacred geometries and Islamic ornamentation. Often using text-based source materials that include the names of children who lost their lives to war, transcripts from terrorism trials, and quotations from news media, Butt's work is built upon some of the most challenging moral questions of the 21st century, tackling issues ranging from drone warfare and gun culture, to forced displacement and mass migration. Rather than offer answers, her artworks exist as laborious meditations on humanity.
Butt's work has been featured in solo exhibitions at institutions including the Dallas Contemporary, TX; Institute of Contemporary Art, Boston, MA; Isabella Stewart Gardner Museum, Boston, MA; Museum of Fine Arts, Boston, MA; National Museum of Women in the Arts, Washington, DC; Worcester Art Museum, Worcester, MA; among others.
Butt has been the recipient of numerous awards including the Anonymous Was a Woman Award, Brother Thomas Fellowship from the Boston Foundation, Maud Morgan Prize from the Museum of Fine Arts, Boston, a Joan Mitchell Foundation grant, and a grant from the Canada Council for the Arts, Ontario, Canada. In 1999, she was the first recipient of the James and Audrey Foster Prize from the Institute of Contemporary Art in Boston in addition to being an artist-in-residence at the Isabella Stewart Gardner Museum that same year.
Her work is collected by public institutions including the Asian Art Museum, San Francisco, CA; Museum of Fine Arts, Boston, MA; Institute of Contemporary Art, Boston, MA; Library of Congress, Washington, DC; Minneapolis Institute of Art, MN; National Museum for Women in the Arts, Washington, DC; Museum of Fine Arts, Houston, TX; Worcester Art Museum, MA; Hood Museum at Dartmouth College, NH; DeCordova Sculpture Park and Museum, Lincoln, MA; Newark Museum of Art, NJ; and U.S. Art in Embassies, Islamabad, Pakistan, among others.
Butt lives and works in Southlake, TX. She received her BFA in traditional Indian and Persian miniature painting from the National College of Arts in Lahore. She earned her MFA in painting in 1997 from the Massachusetts College of Art and Design in Boston.
